fashionllaabb 諸事皆宜01｜英國當紅設計師品牌JORDANLUCA，初次亮相中國！

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發布時間：2020-05-05 閱讀數：10808

Jordan Bowen和Luca Marchetto的同名品牌JORDANLUCA，旨在不斷挑戰著當代男裝的定義，將先鋒的設計理念巧妙的與意大利傳統文化相融合，產生鮮明的視覺沖突，同時無縫地融合了倫敦強烈和原始的外觀，打破了選擇走安全設計道路的概念。

Jordan Bowen and Luca Marchetto’s eponymously named brand, JORDANLUCA, aims to constantly challenge and resist the norms of conventional contemporary menswear.

The collection not only harkens back to the roots of its Italian heritage whilst blending seamlessly with the intensity and rawness of London looks, but breaks away from any choice to take the safe conceptual road.

Luca Marchetto

畢業于米蘭藝術學院（NABA）。畢業后他去倫敦藝術大學學習男裝時裝設計，曾擔任CASTELBAJAC Paris的設計師，Jil Sander的配飾設計師，Erdem的針織服裝設計師以及時裝界的“朋克之母”Vivienne Westwood的設計助理。

Luca Marchetto graduated from the art academy of milan (NABA), which is a world-class academy of applied sciences of fine arts and design, ranking first among the world's top design schools.After graduating, he went to study menswear fashion design at the university of the arts in London and worked as a designer for CASTELBAJAC Paris, an accessories designer for JilSander, a knitwear designer for Erdem and a design assistant for fashion's "mother of punk" Vivienne Westwood.

Jordan Bowen

在世界著名的英國帽子設計大師Stephen Jones工作室工作了7年之久。他為Katy Perry，Kylie Minogue等許多名人設計過帽子。

Jordan Bowen spent seven years working mainly for StephenJones, a famous hatmaker in London, under the training of StephenJones Milienry, the world famous hat-designer. He designed hats for Katy Perry, Kylie Minogue and many other celebrities.

2020AW JORDANLUCA

就像從無酸組織中釋放出一件衣服一樣，喬丹和盧卡的期許是“發現”，一個講述著傳統手工技能與我們現代穿著喜好，如何巧妙地融為一體的故事。展現我們對當下和未來世界服裝的認知。這一季由先前品牌所喜愛的針織物; 升級的、再循環的，人造的和有機的紡織品創造出了一個新的集合。

Like freeing a garment of provenance from its acid free tissue Jordan & Luca's vision is a discovery. A tale that provides heritage and artisanal skill with a modern take of what we like wearing.Clothes that reveal an awareness of the world we live in, right now & into the future. A collection created from pre-loved fabrics; upcycled, recycled, faux and organic textiles.

具有功能性的造型在這里和浪漫與繁榮的調性交相輝映，好比文藝復興時期的皺領要有時尚感。兼備性則是像印刷品和藝術戲劇中那樣永存。傳統如工藝，如唯心主義具備著激情和堅定的信念。

Functional shapes,here and there a romantic flourish. Renaissance ruffs (don't go matchy matchy - go fashion clashion). Multiples revived as in prints & artistic drama yet to be lived in. Tradition as in craft. Idealism as in passion & strength of conviction - theirs.

依據日常著裝的時間表,從街頭到俱樂部,從辦公室到城市漫步,從向前和向上的行走,從抗議和游行。JORDANLUCA似乎用發人深省和顛覆性的方式引用了17世紀的元素，上層社會會向窮人炫耀他們的財富，而窮人則以稅收和廉價勞動力的形式提供他們的財富，從而收回屬于你的東西。加上Stephen Jones時髦的帽子。把分裂與損失緊密連接在一起的2020年文藝復興確實標志著要我們要采取行動。

A timeline of authentic dressing that goes from the street to club, from office to country walk, onwards & upwards – protest and march. JORDANLUCA seemingly fancify the situation with decadent, thought provoking & subversive references to the 17th century; a time much like now where the upper crust would flaunt their wealth to the poor who actually provide their wealth in the form of taxes & cheap labour. Reclaim what is yours.Jaunty hats (by Stephen Jones of course), swishing & swirling with swag. A 2020 Renaissance linked to division & loss which indeed signifies a call to action.

JORDANLUCA希望我們重新思考那些被打破的規則，重新開始。他們希望我們勇往直前。與此同時增加我們對周邊環境的洞察力。

Take notes, JORDANLUCA want us to layer up, they want us to reimagine rules that are broken and start afresh. They want us to go forward with a sense of bravery. They want to protect the us from the elements and provide us a sense of environmental insight.